What is architecture?

I dependablely and person eithery believe that when an architect is been added to a authentic project it clearly meaner that art is being added to a project. com ensnareer computer architecture is what runs a society. With out(a)(a) architecture society git be peaceful and happy hardly it cannot be organized and functional. computer architecture brings stability to the society. Now why is architecture important? Because we completely spend most of our bearingtime indoors. We want a well behaved surround. Our environs is largely effected by twists and the amount of energy they use.When I came to Pip to study architecture I intellection it will be easy but then I realized architecture requires commitment. There is no room for choice. Either you will love it or hate it, there is no nerve ground if you wish to be successful. If you want to be an Architect you moldiness free your mind, break sways convention, hypothesise critically and learn to question and when appropriate challenge. I was told to study annals in Architecture. I hated it because I am a militant modernists but history is essential and cant be ignored.From history we initiate precedents, form, influence, challenges, failure and materiality. An Architect is rattling important to the society for not what how eer do or what he brings to the society. A tremendous change can solely be brought if an Architect works with its full education. Change is constant in this society and this amazing process of change has long been a source of inspiration for designers and Architects. Engineers and Architects for their make projects. This is because the designs which bring change argon not Just aesthetically pleasing but be also practical and innovative.Architecture is to the highest degree ideas. Ideas can surface from the location, nature, human beings, planets etc. The form can be stir by the location. The materials can be influenced by the form. It is near space. Space is influenced by m aterials, scale, mass and texture. numerate deep into nature, and then you will to a lower placestand ein truth liaison better. -Albert Einstein. As I love buildings which argon nature inspired. These buildings which atomic number 18 inspired from nature are more sensationalistic because some of the designs also take on adaptive features of the things they were based on.And I went searched for some buildings which were nature inspired and I was amazed to see the results that these buildings mark a great importance in todays world, For example- The Beijing home(a) stadium r better exact it awayn as the birds nest stadium was knowing by Swiss architecture firm Herzog & De neuron for the 2008 summer Olympics and Paralytics in Beijing china. As the name implies, the stadium looks like a giant birds nest made out of 110,000 tons of steel. The entire cost of constructing the stadium has been reported at all over IIS$420 million.The infrastructure was also built using advanced e nergy- saving design and environment friendly features much(prenominal) as natural ventilation & lighting, a recycling system for rainwater, use of renewable geothermal energy sources and utilization of photovoltaic role technologies. Now I s encourage so much about this mega structure. Why? Because before reading about this birds nest stadium I always thought designing nature inspired building is useless. We cant go far. Somewhere we will get stuck. This building changed my perception.When I off point printing saw this building in a magazine, the next fifteen minutes I Just stared at that image of this building and continuously asked Just 1 question to myself, how could they do this? I was jealous at the very same time by the architect. By his vision. By his creativity. No matter he Just used steel to wrap up the stadium but the idea behind this was something very amazing. Another building I want to mention is Palm islands. Palm islands are an artificial archipelago in Dubbed , I-JAKE that is shaped like a palm tree, topped with a crescent.The archipelago is made from sand and dredged from the Persian gulf and is house both residential and commercial establishments such(prenominal) as hotels, residential beach side villas and apartments, theme parks and restaurants. As an architect I want to leave an emotional response because architecture is about creating space in which people feel-sense and the proportions and rhythms of buildings execute understandings that I know but how to put that into words. The beauty of architecture and the Joy of architect is we can set up potential for certain responses, but we cant force it. Owe someone will react is entirely subjective. Some spaces may energize one person and bait another. However if I careful craft my design, I can make opportunities for people to engage most of their senses. Smooth, rough, cold, warm. When I will introduce water or other calming feature, the sound can create a memory of what one was doi ng or thinking at that moment. Visual qualities can certainly create an emotional response with color, texture, light/shadow ND form. The emotional response does not remove to be profound, Just a response. Was the person happy or feel pleasant is one response.Did it emitted curiosity? Or simply, does a space help one to focus or learning or lift their emotions to aid in their healing. Architecture of big malls and clash of sight and sound cause me to be frustrated, sometimes angry and sometimes I left an emotional response. In college every teacher who taught me state design a building in such a way that natural light should enter but when I design I hardly care about natural light. When any normal unman being goes to a mall he admires the outer washed-out of the mall. Then he enters and see interiors and gets amazed by it. He never cares about if natural light is coming or not.If the building is functional or not. He Just admires what he sees. Taking an example of MOM Amanda, in this building natural light plays a great role. This is an remarkable building. But I got to know this thing after I came to study architecture. Before that I was unaware of this sensational master piece. My point is normal people hardly cares about all this. They Just want building to be beautiful. Hey want a building to glow like gold or smooth as silk or white as milk. La m not saying building should not contain natural light or it should be not functional. These points are very important for a building to work.My point is these points should be kept in mind while designing but they should not be aban dod over emphasize. In this world there is a line of good ideas. What we think that good or brilliant ideas comes rare to the people. No, this world is full of dexterous people. But there are reasonful people in addition who are at the top and dominates everyone. Making a good design is not enough. You should first learn to only what you have created if you want to survive in t his world. If you want to prove your existence that yes I do live here you better know how to respond when someone raise a finger over your work.Anyone can through away your work or design in a ash-bin saying this is a sit. If you dont know what to say or if you have not prepared yourself for that then no matter how amazing your design is or was, that was nothing. many architects take this term way too seriously- sustainable architecture. When a builder tells them to design a building for him they hunk of giving a foyer, multiple rise in the wall so that light can enter. But they forget that their first motive is to give their client a fool profit design. They should think about their client first.Morals too order you to do this. If someone has asked you to do something and he is paying for you than you should better think about them first. Suppose you were asked to design an office building and how your client will make more profit. You think about going for sustainable architect ure and help in giving back something to environment. That is very good thing. But thinking other ay round if you will give windows and openings then the workers working inside will remember that they have a life outside too. They will be connected to outside world too. F we think of sustainability than we should too think about this. This world work both ways. If I talk about why I chose architecture over another profession its because, to be very honest architect sounds cool. I know I will feel very proud to introduce myself as Architect Dear Bagman Sings. It sounds so good now too. Santiago positive inspired me. I am a big fan of him. Why I love him or why I respect IM so much its because he has its own signature style. His buildings only will tell you that I was designed by collateral or I am a result of collaterals vision. This happened with me. biddy I was gowning through a magazine I saw a building and I thought this might be collaterals work and I was very happy when I read his name on the next page. This proves he has done architecture right when he is basically not an architect too. If you go and see collaterals building it will tell you a different story from every side you see. His buildings always have something new to offer. A suspense, a never ending building is what he designs. This is how architecture should be done. On your own terms. In this modern era when there are many great architects present, collateral stands in a different row.He has developed his own style and thats the most significant thing about him. He combines artistry with engineering. The title of the book write on him goes perfectly on him- poetics of movement. He is truly a genius in himself and the scoop up thing is he is best in the press he do. Collaterals entry into high rise design began with an innovative 54-story-high twisting tower called Turning Torso(2005), location Mammal, Sweden. He is famous for his bridges and train stations. He is someone I want to be. He has his own thing in architecture. He belongs to architecture.There are many more great architects, greater than collateral too but what he is, is more important for me. I dont know his full biography or his history neither I no about all his works and projects but still he make me go crazy with whatever I know about him. Some of my classmates made a archetype of Lyon, airport railway station, Lyon France and they had many difficulties in starting. When they finished making the model they were very happy. The model name up very good. They said this was one of the best experience for them. But what I liked was when they said,We felt very good after making this model. I love this impact of claptrap which he have on every one of us. He faced a lot of criticism in his life but he replied by making frightful buildings. His work speaks. The thing I learnt from him his if you believe in yourself and in the stuff you do than you too can become great. Mummy. One thing I realized after stud ying architecture for 2 years is most of the buildings which stands out loud in croup were the result of an architect ho designed by speculation. If you Just make a functional building it will be like any other normal building.But if you start a building with a imagination which has nothing to do with architecture and then after you explore that and then when design a building by the properties and character of your concept you will surely win the battle. The more you think about theories, the more you will go into detailing. Theories will lead you to design every part of your building differently and with something which will increase the importance of that part. I will explain it with an example.. Like when you a photo of ours you like that photo more which was taken random.The moving picture in which you made poses will not entertain you that much because the picture which was clicked random will have a certain story behind that and that increases its importance. akin goes to design of a building. When you design lets say a room and if it has a certain concept or a story or a theory behind that then there are chances that your client will love that. Anything which is expressed or told in a certain way attract us. So does buildings too. Coming back to Pip, design reviews are the most difficult parts but cost important and interesting too. T that time I hap that I am finding it difficult to discuss my own design. Not Just me, even the student who has highest number of sheets and has worked very hard whole semester finds uncollectible to deal with reviews. When whole class is standing behind you and you are there selling out your design to the two externals you never saw. Its hard. But from design reviews only we learn many things. At that very same time when I see my design I automatically realize I should have done this or I have made this block here. Reviews should be held very often.Reviews are the best teachers if someone asks me who is the best tea cher of the block. Thats the point where you have to save what you have created. Your design is like your runty baby and you need to protect that from the world. You have to be at your best if you want to mark your existence. The last thing I want to add is architecture is clearly the most interesting thing ever happened to humanity. It is interesting, it is important, everyone inevitably this, it is cool, it is awesome, it is big, it is great. We need architecture to survive. Architecture changed the face of the earth. This explains its greatness.What is Architecture?What is Architecture?We form our edifices, and afterwards they shape us 1 Architecture, like history, is undependable, subjective, selective, rewritten, continues to be influenced by rich or powerful persons or establishments, and is seldom a contemplation of the common adult male. The common aesthetic of a present has been conservatively curated and developed over many old ages, to the point where it is no seven -day a true contemplation of the common people. Much like national costume, state dance or common people music, architecture is excessively ofttimes used to continue the memory of a aureate past tense.Architecture is an ideal.. It can and should germinate with the passing of clip toreflectnew challenges, aspirations and set. Modern western society has neer been more classless or democratic and its built environment caters to its dwellers in all faces of their beingits where they live, work and drama. As such the function of modern architecture is to profit ordinary people while at the same clip incorporating the reverberations of the yesteryear.Architecture has, and will, ever be used as a symbol of power and wealth or promote political orientations. From theRomanEmpire to theNew York skyline, the map of the abiding architecture of the yesteryearis toobserve the victory of the little category of governing elite, despite masquerading as a heathenish infinite, where political und ertakings attempt to go socially meaningful. 2 Today, the batch of European national authoritiess have an architectural policy designed to profit their populations, and advance their just now national image or brand abroad.This essay is intended as a limitedscrutiny of England as an illustration of how such a policy can jibe the desire to continue our heritage without impeding advancement.Architecture as representation of national personal identity.In 2009 Denmark launched its first national architecture policy, A State of Architecture with the purpose of guaranting the production of high quality architecture, thereby vouching a good quality of life and economic growing. 3 This policy was specifically introduced to advance the judges that Danish architecture seeks to stand for. 4 In 2013 Scotland introduced its ain architecture policy, Creating Places , seeking to title-holder quality design which reflects Scotland as a modern, forward-thinking state 5 England remains one of t he lone states in the European Union without any kind of policy 6 . Earlier this twelvemonth Ed Vaizey, Minister for Culture, Communications and Creative Industries, invited Terry Farrell to look on one of the most extended probes into the UKs built environment. 7 Both Ed Vaizey and Terry Farrell have been outspoken about the importance of the built environment to the state as a whole, yet a Built Environmentwas non a subject covered by the footings of mention for the Review 8 andeven before the reappraisal had been published, Vaizey publically stated, I have nt anticipated that the study will ensue in any alterations to statute law. 9 Architecture in the UKThe Farrell ReviewThe Farrell reappraisal is an analysis of the legitimate reinforced environment of Britain.It recognises that Britain has ever played a important function in architectural invention, and that in general the criterion of architectural design has improved. 10 However, this does non intend that current criterio ns are sufficient English architectural design has stalled and is confronting new challenges. The reappraisal high spots countries which are in necessity of amelioration over the coming old ages. 11 An Architecture Policy for 21stCentury EnglandIn the 1970s, England moved off from its industrial yesteryear, and old regional fabrication human dynamos, such as Birmingham, Newcastle and Manchester were eclipsed by Londons chokehold on the fiscal market. 12 In 21stcentury England there is one time once more a demand for alteration and a displacement in accent from the capital to the parts. 13 RIBA argues that a Minister for the Built Environment should be appointed to sit within the Cabinet Office advancing quality in the reinforced environment and implementing a Design Policy across government. 14 While core sections such as the Treasury, Foreign Office and Home Office have continuity from authorities to authorities, architecture, lodging, substructure, conveyance and planning are apt to be lumped in with any telephone number of other minorministries. 15 Presently, architecture is a subset of Heritage within the Department for Culture, Media & A Sport ( DCMS ) . 16 The effect of this changeless shifting around is a haphazard and confused system that certainly indicates the dismissive attitude of cardinal authorities to the function of the built environment. This deficiency of focal point must be rectified. Nor is at that place any bing authorities appointed ( or other functionary )representative to defend the cause ofdesign 17 Farrell recommends that the currentDesign Review should be reinvented under the acronym PLACE Planning, Landscape, Architecture, Conservation and Engineering. 18 All authorities sections and government-funded organic structures would so subscribe up to an agreed set of rules and a design policy statement, which would put out how they intend to organize the design quality of their several built environment aspirations, activities and duties. 19 Such a policy would in any case take history of procurement ( of run and merchandises ) , handiness, sustainability, information and communications engineering, care and stewardship and the public realm . 20 This more cohesive attack lends itself non further to greater efficiency and economic system, but besides represent a kitemark of uniquely English architectural design, or else than merely current British criterions of buildings.Percepts of English ArchitectureScotland and Denmark are confident that their peculiar national individualities are reflected in the values they intend their architecture to convey. If such a policy were to be in England what would its individuality be based upon? As the cardinal, controlling state in Great Britain for more than 300 old ages 21 , and laminitis of the British Empire 22 ,the English have non needed in the yesteryear to worry about a specifically English national individuality the place of authorities has ever been in Lo ndon, the common linguistic communication has ever been English and the established faith has been the Church of England. England equated to Britain. However the recent ballot on Scots independency was a crisp reminder that nil is set in rock. The Empire, maritime and fabrication domination have all gone, and now there is a demand to rediscover an individuality that is unambiguously English and non merely a rehash of British cliches.The danger is that a policy based on national individuality might acquire hijacked by chauvinists, romanticists and diehards. In a address on St. Georges twenty-four hours, 1993, John Major attempted to chase away public frights of fall ining the European Union, by claiming that Britain would ever stay, typical and in Europe. Fifty old ages from now, Britain will still be the state of long shadows on county evidences, warm beer, unbeatable green suburbs, Canis familiaris lovers and as George Orwell said old amahs biking to Holy Communion through the fo renoon mist. . . 23 What he was depicting was middle-class, conservative, Home Counties England, which has ever resisted alteration and modernness. This nostalgic and rural English pastoral is non a true contemplation of English national individuality and is exactly what has to be avoided if a national Architectural policy is to be genuinely good to the English state. The guardians of cocoa box England side-line the impact of the industrial revolution, which funded the manor houses and sign of the zodiacs, and the civic edifices so beloved to the Black Marias of environmentalists, ignore the slum clearances done in the name of societal justness in post-war urban planning, and keep in cheque edifice work of national importance that would profit the huge bulk of the population,in order to protect the privileged few 24 . Such attitudes in no manner reflect English national character traits of pragmatism, Puritanism and utilitarianism that are aligned with ( instead than hostile to ) u rbanism and economic growth . 25 There is a existent disparity betweenwhat ispromoted and protectedasEnglish architectureby these privileged categories, and what ordinary people need. Introducing an architectural policy to England would non merely guarantee some sort of minimal design criterion, but could besides stomp inclusivity, invention and individuality as the war cries of modern English values.The distinction between historical and recent is excess. All that is past is our history. That which is most ancient is likely to be valued more extremely because of its rarity . Our recent history may turn out to be tremendously of import to future coevalss so we should try at least to expect this.Steven Bee 26 England drastically needs to alter its attitude to architecture and individuality and recognise that a national individuality is about the present and should non merely be based on the yesteryear.Its convinced(p) repute for saving and preservation is a comparatively recent ph enomenon 75 old ages ago there were no listed edifices, whereas today there are over 375,000. 27 However, these are chiefly edifices which are sometimes referred to as poster British heritage ferociously defended bycertain coterie of British society whose gustatory sensations are selective and blinkered. 28 Merely 0.5 % of all listed edifices are modern, built after 1945. 29 The architecture of the industrial Revolution ( much of it based in the Midlands and the North ) are less prized than the Georgian sign of the zodiacs of the south-east.This is non a rejection of the yesteryear There is an undeniable relationship between heritage, topographic point and individuality. 30 However, the yesteryear is merely an facet of who we are. Persons have dreams and aspirations, and in the same manner topographic points should be aspirational.Even HRH Prince Charles who late released his ain recommendations intended to protect English design, insists that he is non against modern design, and st resses that edifices must take peoples demands into consideration. 31 Rather than being run by a self-seeking elite of upper and middle-class diehards, an effectual policy should be carefully curated by a panel of experts who are in melody with the people and the nations needs, able to judge without prejudice the best way for a modern England on a universe phase and willing to accommodate and amendprogramsto reflect altering fortunes.( Britain ) stands out as a state with an vastly strong and diverse cultural individuality and memory expressed in its built and natural environment to which we all can associate It is those foundations of individuality and memory that earmark Britain with its successful hereafter in a competitory and fast-changing universe.Alan Baxter 32 Design for the FutureThe term heritage is highly confining, it is frequently merely associated with the distant yesteryear. 33 The current coevals does non separate traditional and modern design as it was in the 20Th ursdayCentury, this current mentality recognises sees the potency in what is already at that place, the value of topographic point, individuality and sustainability. 34 The attack is no longer to construct to be remembered, but to construct to profit future coevalss. New and old need non compete. Lucy Musgrave. 35 After printing his reappraisal Farrell suggests that in fact England is a state which would non profit from entire, inclusive formal English policy, and would really profit from regional policies which reflected our truly alone and diverse state. A policy that might work for cardinal London could hold really small relevancy to a small town in Wiltshire or a Northern industrial metropolis. Such an across-the-board formal policy is more effectual on smaller states, 36 a state like England has such a unique and huge scope of regional individualities that need to be protected, and possibly Englands long history and world(prenominal) presence means that it is non as easy for it to show a individual, cosmopolitan image. Farrell besides calls for a Chief Architect, similar to a Chief Planner, which would intend a consistent high criterion of design our reinforced environment must execute successfully, we must hold adequate places for our population, we must undertake clime alteration, andeven how can wedesign to cover with our altering environment, such as the inundations which hit Britain every twelvemonth. 37 DecisionHistory is non defined by the discrete projects ( one-off edifices such as formal places or palaces ) but is continuous. Hank Dittmar 38 If England is to hold national individuality as an facet of national planning we must guarantee that it is the best qualities that are in grounds. Whether the solution is a one size fits all attack as suggested by Prince Charles, or a more localized, regional policy, as proposed by Farrell, the purpose should be to profit the full community by set uping standard values in architecture. That manner good physiques are designed before they are erected as opposed to placing them as worthy or important long after they have been built.A design policy offers a centralized end for all those lending to the built environment. It goes beyond merely design,to a purpose and ultimate endto bring forth good designed quality edifice which to the full turn a profit the dwellers of England.Regardless of whether a policy is for a whole stateor a individual small town, it should be developed and enabled by authorities, but ledindependentlyby industry. The stewardship, long-run planning and individuality of existent topographic points should be a cardinal portion of reinforced environment policies. 39 It is critical that if a policy is of all time put in topographic point it must be right implemented. Past RIBA President Sunand Prasad compactly states, It is people that make the difference non policy. Crudely put, good people can work round bad constabularies but good policies can non work round bad people. 40 Policy is non about making a common manner, or seeking to mime the yesteryear, it is about guaranting quality design for edifices which decently benefit their users.